THE LADIES COURTROOM DRAMA | Darrin Henry
In this post I’m sharing a few tips for sport photography; specifically women’s indoor volleyball. We have a small, Sunday afternoon league on St Helena in which Sharon plays, making it an ideal topic for me to cover.
Across photography there are many different specialist areas; sport being one of the biggies. Just like anything really.
This article assumes you’re already using a Digital SLR camera with control over manual settings.
Camera Setup to Photograph Indoor Volleyball
Speed is the key to photographing most sports – and by that I mean shutter speed. Generally faster shutter speeds means sharper focus, simply because most sports involve quick movements. Slower shutter speeds mean action is more likely to blur. These rules apply if you want to photograph indoor volleyball.
Complicating matters is the low, artificial light conditions with indoor sports – faster shutter speed means less light enters the camera to expose the shot. We’re assuming no flash is being used as it would be ineffective over the long distance.
There are three key controls on the camera used to manage light and picture quality. Shutter speed, ISO and aperture. Adjusting one automatically has an effect on the other two, so you need to find the balance of settings that work for the job in hand. There are no, one-size-fits-all settings.
As shutter speed is key, I tend to set this first. I’ve found 1/400 sec to be an acceptable setting for local volleyball. Ideally another step faster (1/500 sec) would be better but with the available light the 1/400 speed to photograph indoor volleyball is a good compromise.
Aperture is the size of the hole in the lens allowing light through. Different lenses have different capabilities, but as you might expect, better light capability costs more money.
Making A Lot Of Noise With Sport Photography
I’m using a Canon 70-200mm/f4 zoom lens, so I set this at its maximum f4 aperture setting.
Finally, ISO completes the trinity of light settings.
ISO is a measure of how sensitive the image capturing process is to light. A high ISO setting means more sensitive; a low ISO means less sensitive. In a low light environment (indoor) we switch to higher ISO settings. The compromise is, noise. Very simply noise is the degree of fuzziness in the photo. (In the old days of film photography it was often called, ‘grain’) Higher ISO, more noise, more fuzzy pictures. Lower ISO, less noise, cleaner pictures.
This then is my camera setup:
Camera: Canon 5D-MKIII
Lens: Canon 70-200mm/f4 telephoto
Settings: 1/400 sec shutter, f4 aperture, ISO 2500
Focus mode: AI Servo
Drive mode: High-speed rapid burst
A final word about ISO. Different cameras will vary in how well they tolerate higher ISO. The Canon 5D-MKIII is a high spec camera body and therefore produces decent results at 2500 ISO.
Now to the fun stuff. Courtside taking photographs.
Simple Tips That Work For Volleyball Photography
Rule number one, try not to get hit with the ball! This goes for all sports pretty much, don’t get hit by the ball, or rather, don’t let the ball hit your camera. That said, volleyball is little more forgiving than other ball sports such as football or tennis.
(I photographed mud volleyball once, in that case the no.1 rule was don’t get too close!)
The most skill of the sports photographer is knowing the game. With little time to react, you need to anticipate the action. You have less time to photograph indoor volleyball compared to other sports such as football.
It’s a good idea to watch a few games first, without the camera. Learn the rhythm of the game, the ebb and flow, the pace of play. By watching you soon learn which players are likely to spike at the net and which teams are the most energetic in their approach. Sometimes there’s tension between teams; clash of the top two or drama if the underdog is on a winning surge. Some players are their team’s cheerleaders which can make great photos. Reactions and celebrations can tell a story as much as moment of play.
Assuming you’ve done your homework, you’re now ready to begin shooting.
Finger On The Trigger, Ready To Shoot
My own preference is shooting from two or three courtside positions. Low angles work great with most sport, so courtside I will sit on the floor.
I’ve found a vertical, or portrait orientation works well to photograph indoor volleyball. Trying to capture close-ups in landscape mode I was often losing the ball from the top of the frame.
Knowing where to point and when to click becomes easier when you understand the game a little better, as mentioned earlier. Pick a player or area of the court where you anticipate the action will unfold, pre-focus, pre-frame and wait, finger on the trigger.
Off The Ball Incidents
By watching players reactions through the lens I get a good idea where the ball is and when it’s about to enter into my frame. A split second before the ‘contact’ moment I will squeeze the button and the rapid burst captures a series of 4-6 images. Hopefully one of these is the ‘money shot.’
Keep an ear on the score as the match progresses. When the games are close the excitement level goes up, players become more animated and committed which can add a new dimension to your photographs.
Keep an eye on the each game story, these present different photographic opportunities. If decisions are being contested you might want to focus on the umpires or the players being most vocal. Has someone hurt themselves but is still playing? A drama shot, playing through the pain perhaps!
Volleyball games can be quite short, so pay attention and shoot quickly. Review your shots after the game.
Remember, sports photography, like any other discipline, takes lots of practice to get right. The more matches you attend the more attuned your camera eye becomes. Your ‘frame/click’ to ‘game action’ coordination will become smoother, more instinctive with each outing. Knowing who the better players are gives you an edge in automatically procuring the better shots.